The music of Nikolai Kapustin has made a minor flurry in the classical music His Eight Etudes, Op, partake of the 19th-century tradition of the concert-etude . The compositions of Nikolai Kapustin (born ) are almost all for piano, either solo or 1 “Sonata-Fantasy” for piano (); Op. Eight Concert Etudes for piano (). No. 1 in C major “Prelude”; No. 2 in A-flat major “Reverie”; No. The two sets of etudes included in this study are Kapustin’s Eight Concert Etudes, op. 40 () andFive Etudes in Different Intervals, op. 68 (). These two.

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Introduction and Rondo for piano solo Op.

Nikolaj Girshevich Kapustin – Concert Etudes (8) Op. 40 Piano

The purpose of this study is to facilitate further understanding of Kapustin’s works and his mature writing style, and to discuss how these etudes contribute to the existing piano etude repertoire, thus promoting their future accessibility and performance. Twenty-Four Preludes for piano Op.

Triptych for two pianos, four hands Op. Humoresque for piano Op. Suite for piano four pieces for piano Op. Sonata for viola iapustin piano Op. Concertino for piano and orchestra Op. Trio for flute, cello and piano Op. Concerto for piano and orchestra No. Good Intention for piano solo Op. Holy Cow for piano solo Op. Berceuse for piano Op. He has written 20 piano sonatassix piano concertiand other compositions for ensembles such as five saxophones and an orchestra Op.


Toccata for piano and orchestra Op.

List of compositions by Nikolai Kapustin

Countermove for piano solo Op. Compositions by Nikolai Kapustin Lists of compositions by composer. With the positive reception of Kapustin’s music of late, public awareness of his eclectic and original compositional style—the musical marriage of classical formal structures and jazz-based melodic and rhythmic idioms within the Studes pianistic tradition—has greatly increased.

Ftudes for piano 4 hands Op. The site is also available in several languages. Piece for string quartet “The Last Attempt” Op. No 8 Prestissimo is similar in style and mood to Nos 1 and 3, but more compact. Piece for five saxophones and orchestra Op. Views Read Edit View history. This page was last edited on 29 Decemberat Concerto for alto-saxophone and orchestra Op.

Chorale and Fugue for orchestra Op. Six Little Preludes for piano solo Op. Sonata for cello and piano No. Sonata for flute and piano Op. Twenty-four Preludes and Fugues for piano Op.

Introduction and Scherzino for cello solo Op. Archived from the 440 on Ten Inventions for piano Op. All in all, one of the most enjoyable piano discs I have heard in ages.


Ten Bagatelles for piano Op. The recording is characteristic of Hyperion’s piano sound at its considerable best. Overture for big-band Op. Fantasia on three children’s songs for orchestra Op. Sonatina for viola and piano Op. Impromptu Improvisation for piano Op. A Little Duo for flute and cello Op.

Three Etudes for piano No. Violin Concerto Op. Divertissement for two flutes, cello and piano Op. Concerto for cello and orchestra Op.

From Wikipedia, the free encyclopedia. Concerto for eleven instruments Op. No 1 Allegro assai tears out from the starting gate with a twelve-bar introduction that quickly transports us to the crowded streets of Rio de Janeiro at the height of Carnival season.

Sonata for violin and piano Op. Variations on “Sweet Georgia Brown” for viola, alto-saxophone, piano and bass Op. Kapustin’s etudes are innovative and noteworthy in that his fusion of classical form with modern idioms of jazz and rock, combined with the kapsutin demands expected of a standard study, have not been previously characteristic of the genre. Rondoletto for piano Op. Minuet for big-band Op.